MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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MARCELLVS L. - More info at carlier | gebauer or Galeria Luisa Strina or Rumpsti Pumsti (Musik) (03/12/2015)
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(03/12/2015)
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Marcellvs L. & Daniel Löwenbrück at NK Berlin (10/31/2014)
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Marcellvs L. at Singularidades/Anotações – Rumos Artes Visuais 1998-2013 (08/27/2014)
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Marcellvs L. & Munan Øvrelid at Skaftfell Summer Exhibition (06/19/2014)
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Marcellvs L. at MAC Lyon - Musée d'Art Contemporain de Lyon (06/19/2014)
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Inconsistencies (09/11/2013)
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Marcellvs L. Indiferença at Galeria Luisa Strina (09/10/2013)
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Marcellvs L. at the 18th Contemporary Art Festival Videobrasil (09/09/2013)
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Marcellvs L. at Astrup Fearnley Museet (09/09/2013)
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Marcellvs L. | Künstlerhaus Bethanien (05/24/2013)
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Marcellvs L. at carlier | gebauer "Die Wahrscheinlichkeit, dass nichts passiert" (01/18/2013)
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Marcellvs L. at noestudio (10/12/2012)
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Marcellvs L. & Marcus Steinweg at Tanzquartier Wien | 02 Nov 2012 18h (10/11/2012)
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Marcellvs L. | VideoRhizome Seyðisfjörður Aktion at Skálar Sound Art Festival (10/01/2012)
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Marcellvs L. | VideoRhizome Basel Aktion (07/19/2012)
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New Release - MARCELLVS L. - KLAVIERWELLEN LP (TA096) (06/18/2012)
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Marcellvs L. | Summer Exhibitions (06/07/2012)
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Marcellvs L. at MADE IN GERMANY II (05/16/2012)
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Marcellvs L. at carlier | gebauer (04/26/2012)
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Marcellvs L. at NGBK (01/19/2012)
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Klavierwellen at Instituto Tomie Ohtake (12/13/2011)
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Überstürztes Denken #2 | Marcellvs L. performance at Volksbühne, Berlin (12/12/2011)
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Marcellvs L. at the 17° Festival Interncional de Arte Contêmporanea - Videobrasil (10/05/2011)
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Marcellvs L. at the Berlinische Galerie (06/17/2011)
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Marcellvs L. at Bloomberg SPACE - COMMA 34 (03/31/2011)
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Marcellvs L. at HangarBicocca (03/09/2011)
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Marcellvs L. at Kunsthalle zu Kiel (01/27/2011)
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Marcellvs L. at The Living Art Museum (01/07/2011)
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Marcellvs L. at Centre Pompidou (11/05/2010)
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Marcellvs L. at Today Art Museum Beijing (08/04/2010)
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Marcellvs L. at n.b.K. | Kunst und Philosophie  (06/24/2011)

Apparently, there is a friendship between art and philosophy. As with every friendship, articulating a certain difference is part of it. Art and philosophy are not the same. But the difference already passes through the concept of art and philosophy itself. Perhaps art and philosophy are connected by the fact that art generates a singular concept of art, and philosophy its own conception of philosophy. The exhibition invites artists to define for themselves a relation to philosophy: from the perspective and with the means of artistic articulation.

Artists: João Maria Gusmão & Pedro Paiva, Swantje Hielscher, Thomas Hirschhorn, Bethan Huws, Kitty Kraus, Marcellvs L., Christian Schwarzwald, Richard Wright, Haegue Yang

Philosophers: Mehdi Belhaj Kacem, Ray Brassier, Simon Critchley, François Jullien, Catherine Malabou, Boyan Manchev, Achille Mbembe, Chantal Mouffe, Nina Power, et al.

Curator: Marcus Steinweg

Dates:
03 September - 30 October 2011
Opening 02 September at 19h

Opening Hours:
Tuesday to Sunday 12 - 18h

Venue:
n.b.k. - Neuer Berliner Kunstverein
Chausseestrasse 128 / 129 

10115 Berlin

Germany
www.nbk.org/


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Ballads from our Invisibles Parks  (07/30/2007)

A selection of 5 artists presented by Andrea Lissoni

Carlos Casas
John Duncan
Thomas Köner
Marcellvs L.
Nico Vascellari


Opening: 2.8.2007 - 18:00h
From 2.8.2007 to 11.8.2007
Every day from 14:00 to 21:00h


La Rada
spazio per l'arte contemporanea
CP1103
CH-6601 Locarno
Switzerland

info@larada.ch


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Catalogue Nam June Paik Award 2006  (06/12/2007)

"Singular Images" - Author: Solange Farkas

The Work of Marcellvs L. is extremely particular, his œuvre possesses the actuality to reproduce itself in a context of intense imagetic profusion. His very experimental production that belongs to the electronic arts’ universe attracts attention through its radical concept and through the intensity with which it associates philosophical concepts and the electronic image.

His work places itself in a zone of undiscernibility, which turns it inapprehensible by this or that audiovisual genre. It operates between documentary and experimental video, between the objective and the subjective and “between” these genres; it creates its own discursive universe, provoking extraordinary thoughts.

His videos relate themselves almost always to events and people that find themselves distant from the cameras and that do not know of their presence. Almost without recourse to editing, they show long sequences in black and white of anonymous people and their quotidian and that are subtly revealed through the operation of the digital zoon, a recurrent practice in the œuvre of the artist. However, instead of revealing reality, they end up turning it into an invention, a mirage.

The fixed camera offers a banal image, homemade, precarious: A man walks slowly, faraway. He comes closer whilst the camera follows him through a zoom out almost unperceivable. A flooding forms a river that crosses the street where he walks. The zoom turns the scene into a shaky, impressionist scene.
Naturally, without any hesitation the man starts to cross the river, slowly sinking, until it covers almost all of his body. He comes out of the water and continues to walk through the street and passes by the camera, without acknowledging its presence. The award winning video, man road river, ends when the man exits the scene, without credit, without subtitles.

The duration in his works is fundamental, as it amplifies the possibilities for image perception, tensioning even more the relations between the real and time, as observed byCezar Migliorin in his article in “Contratempo – Revista de Cinema”: “Different from the frequent chronological subversions that modern cinema brought to narratives, searching a chronic and not linear time, what happens here is that the linearity of the long shot comes into explicit conflict with the time organized into sequences of ellipses”.

To produce his videos, Marcellvs acts doubly as a patient and astute catcher of imagetic moments and as a meticulous interventionist by using all of the technological means possible to enhance the singularity of these moments. The contingency of the capture of the events is fundamental in the production of his videos. Revealing aesthetic events of great potency thanks to the alert gaze mediated by the camera and to the sophisticated sound treatment are a result of his musical training and partnership with the musical collective pexbaA.


Nam June Paik Award 2006 | Video Documentation  (02/08/2007)

International Media Art Award of the Arts Foundation North Rhine Westphalia

Exhibition in the Museum of Applied Arts, Cologne, Germany


Artists:

Abu Ali*Toni Serra
Allora & Calzadilla
Ceal Floyer
Marcellvs L.
Matthew Buckingham
ressentiment
Róbert Langh
Stephen Vitiello


Video Documentation by Veit Landwehr and Tom May
untitle:rope | installation's view  (05/05/2007)

Installed at the Nam June Paik Award 2006, Museum für Angewandte Kunst, Köln, Germany

video documentation by carlier | gebauer


44th New York Film Festival  (12/04/2006)

The Tenth Annual Views from the Avant-Garde
A Special Presentation of the 44th New York Film Festival
October 7, 8 & 15, 2006

0778 man.road.river Marcellvs l, Brazil, 2004; 9m

man.road.river introduces a space that is viscous and indeterminate. An image is an aspic, and an adhesive in which an event is held in a optical resemblance that creates difference according to its luxuriance or degradation, its infidelities to the original event. There is always something missing as well as added, insinuated into the copy. The quality and character of movement in a moving image is redefined by its residence inside the given texture of the medium and the precise nature of the shot. Passing time moves with and against that texture and within the length of a shot builds up it’s own “cabin pressure.” Its natural measure attenuated by minute resistances and frictions and the grade of the slope, just as we might swim or climb depending on the medium we are confronting. This friction in turn perturbs or compounds the texture through its force and abrasion. In man.road.river different bodies and mediums come into contact. The man fords the shallows of an overflowing river and walks thorough a compressed depth of field without altering his course or increasing his limited awareness of the image to which he contributes a central energy. Elements cohere or at least cling in confusion and the witnessed event is rendered as something else, a version of what occurred and the concretization of a mirage, something that never occurred (externally) until it passed through the lens. The ephemeral saved and held in captivity is made to repeat itself in terms that are natural enough but unevenly translated. A recognizable shape but unidentified
man emerged from a walking chrysalis ( globular soft focused and near sepia )into greater definition and scale. The man continues unimpeded down the road. Out of frame, out of mind. – Ana Silviera

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Marcellvs L. | 1716 touring (03/24/2010)
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Marcellvs L. | Infinitesimal (03/11/2010)
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Publication - VideoRhizome vol II (02/19/2010)
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Marcellvs L. at KUNSTHALLE wien (02/12/2010)
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Marcellvs L. at Museumslandschaft Hessen Kassel (11/28/2009)
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Marcellvs L. at Inclemencia del Tiempo (11/28/2009)
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Marcellvs L. at After Utopia (10/27/2009)
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Marcellvs L. at the 7th Mercosul Biennial (07/23/2009)
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Marcellvs L. at História do Futuro (04/27/2009)
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Paris - Berlin | Marcellvs L. at Galerie Natalie Seroussi (01/29/2009)
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frieze magazine - Issue 120 - January / February 2009 (01/13/2009)
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untitle:rope | Installation view at Art Berlin Contemporary (10/02/2008)
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52°30’50.13“ N 13°22’42.05“ E | Installation view at Galeria Luisa Strina (10/01/2008)
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Overground | Installation view at Art Unlimited (08/06/2008)
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Overground, 2008 | Frames (08/06/2008)
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Marcellvs L. | 16th Biennale of Sydney (07/05/2008)
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Marcellvs L. | 52°30'50.13" N 13°22'42.05" E (05/11/2008)
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ars viva 07/08 | Kunstverein Hannover (02/27/2008)
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frieze magazine - Issue 112 - January / February 2008 (01/15/2008)
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Marcellvs L.'s spree at Into It | Kunstverein Hildesheim (01/14/2008)
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Marcellvs L. | 30° Panorama da Arte Brasileira (11/08/2007)
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ars viva 07/08 | Museum Morsbroich (10/16/2007)
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9e Biennale de Lyon 2007 (09/14/2007)
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untitle:rope at the 16th International Electronic Art Festival - VideoBrasil (08/30/2007)
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Männerfantasien (08/21/2007)
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Ice Crean - Phaidon Press 2007 p. 232-235 (06/12/2007)
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Flash Art - Issue 254 - May / June 2007 (05/21/2007)
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ars viva 07/08 (04/02/2007)
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18th Impakt Festival 29.03 - 01.04 (03/27/2007)
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marcellvs l. | museu de arte da pampulha (02/07/2007)
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0 4 3 4 (01/18/2007)
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frieze magazine - Issue 104 - January / February 2007 (01/08/2007)
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Wer mich lenkt ist das Meer (01/08/2007)
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27ª Bienal de São Paulo (12/04/2006)
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 by Sapien